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A spin-off to the Ah Boys to Men film franchise titled Ah Boys to Men 3: Frogmen was announced by Jack Neo to be scheduled for production in August 2014 based on the story of a group of navy boys.[105]
Ah Boys to Men 2 (simplified Chinese: 新兵正传II; traditional Chinese: 新兵正傳II; pinyin: xīnbīng zhèngzhuàn II; lit. 'Recruits' True Biography') is a 2013 Singaporean-Chinese military comedy film[4] produced and directed by Jack Neo, written by Neo, Lim Teck and Leonard Lai. It is the second of two cinematic parts. It stars Joshua Tan, Maxi Lim, Noah Yap, Wang Weiliang, Tosh Zhang, Aizuddin Nasser and Ridhwan Azman in the second installment. It was released on February 1, 2013. It is the highest-grossing Singaporean film of all time, and has grossed over four times of its S$3 million budget. A third installment titled Ah Boys to Men 3: Frogmen was announced by Jack Neo to be scheduled for production in August 2014 based on the story of a group of navy boys.[5] Ah Boys to Men 3: Frogmen was released in cinemas on February 19, 2015.
The trailer for part two was showcased at the Asia TV Forum & Market and ScreenSingapore 2012 from December 4, 2012 to December 7, 2012.[18][19][20] Within a week of its upload online, the trailer had already amassed approximately 20 million views.[21]
A spin-off to the Ah Boys to Men film franchise titled Ah Boys to Men 3: Frogmen was announced by Jack Neo to be scheduled for production in August 2014 based on the story of a group of navy boys.[5]
That is certainly the reality that plagues the creative industries here - promising artists, musicians and film-makers alike go unrecognised by the mainstream community, unless and until a big foreign organisation gives them some credit first.
Similarly, last year's anthology film 7 Letters - which comprises seven stories from seven local directors - received good word-of-mouth and general hype online led to snaking ticket queues and multiple sold-out sessions.
Graphic novelist Sonny Liew's The Art Of Charlie Chan Hock Chye saw a massive spike in sales last year after controversy broke out online following the news that the National Arts Council revoked a $8,000 publishing grant over \"sensitive content\".
Jordan, who was also known for his roles in \"Will & Grace\" and \"American Horror Story,\" became an online sensation during the pandemic shutdown with his uplifting Instagram dispatches. His online fame allowed new generations to join in on Jordan's witty musings, delivered in his signature Southern accent.
But just before the new year, British publication the Telegraph reported the Oscar-nominated actor and his family would be facing reparation claims from Caribbean Community nations for their involvement. News of the possible reparation claims against Cumberbatch blew up online.
Even so, the idea of demanding compensation from a wealthy film actor whose family benefited from slavery resonated with many. Some applauded the reports as a New Year's resolution. Many online pointed to the irony of Cumberbatch's performance as a real-life Louisiana slave owner in the 2013 film \"12 Years a Slave.\"
Although Cumberbatch will not be facing reparation claims, the reports and online buzz come amid ongoing movements to push reparations in California, the U.S. and across the globe. And it reignited conversations about who should pay.
Readers used to traditional novels might not respond well to \"Participation.\" Characters are largely indistinct as individuals, most identified by letters rather than names, genders intentionally withheld, the physical settings generic. Linear time blurs, traditional sentences break down into snatches of poetry, online-style chatter, lists and line drawings, philosophical ruminations and descriptions of dreams. \"There is a theory of the psyche that claims life narratives are necessary to the formation of a coherent subjective self. This theory has always terrified me. Maybe I'm afraid of stories. Or of selves,\" Moschovakis writes early on, a warning to her readers that they're in for a challenge. 153554b96e
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